aeolodicon
Timeless (and time-defying) music that morphs from Bach inspirations to futuristic contemplation, ending with Buxtehude quotations. The organ is small but perfectly formed, deeply sonorous, beautifully resonant. Stunning!
Solarium is an hour-and-a-half organ piece intended for ‘afters’, that period of slack that follows the frenzy of a techno-fuelled night. It leans on dawn’s emotional potency to interweave those in need of the curative benefits of organ frequencies to end the night with those in search of a new temporal encounter to begin the day.
Moulded by the tenets of rave culture, the piece upholds the freedom of its audience. Speakers subtly amplify the instrument in the nave of the church, where listeners wander, sit, stand or lie, to focus on the score or lose themselves in sound.
In an age of digitally enhanced musical overconsumption, fabricating new ways of listening to music together is a means of generating the unheard-of. Instead of a one-way ejection in the face of the public, Solarium spawns the frame of a collective experience that reclines on its braided threads, whether they be sonic, scenic, somatic or social.
credits
released May 5, 2020
Composed by: Maxime Denuc
Performed by: Cindy Castillo and Maxime Denuc
Recorded by: Patrick Faubert
Mastered by: Frederic Alstadt
Artwork by: Jonathan Martin
Solarium came to life during an artistic residency at l’église du Gesu in Toulouse, France. It was performed live by Cindy Castillo and Maxime Denuc on Sunday morning 22/09/2019 at 10am, presented as an after party of the annual Festival ‘Électro Alternativ’.
Special thanks to Regarts, Toulouse les Orgues, Gmea - Centre National de Création Musicale Albi-Tarn and la Mairie de Toulouse.
During the final days of writing my thesis I listened to this album on repeat for hours at a time. It was like being suspended in one eternal moment while all that changed around me were the ripples and eddies of a slowly meandering river. catharina_bee